Claude says:So arrived in your world just this week, and you went straight for Sledgehammer — the track that proved a restless art-rocker from Genesis could make the most infectious pop-rock earworm of 1986, all stop-motion and groove. That one spin suggests you're curious about the album that marked Gabriel's full-throttle embrace of the studio as an instrument, all those layers of synth and world percussion that didn't feel cheesy so much as genuinely experimental.