Claude says:Keane's 2010 pivot toward synth-driven indie pop arrived in Night Train as a sleeker, more restless take on the post-Britpop formula that made Hopes and Fears work—less piano-ballad heavy, more neon-soaked. You spun it once in summer 2021, landing on "Stop for a Minute," which has the kind of widescreen melancholy that probably felt right for that moment.