Claude says:Bowie's 1980 comeback is driven by Robert Fripp's slashing guitar and brutalist drum machines, with the title track especially pushing his post-punk edge — lyrically it charts a woman's descent into madness, sung in Cockney accent, landing somewhere between Joy Division and the claustrophobic romance of The Idiot. You gave it one spin back in 2013, long after the fact, but never circled back.