Claude says:Bowie traded the hard rock of The Man Who Sold the World for piano-driven pop and art rock here, tackling everything from artistic reinvention on "Changes" to dedications to Warhol, Dylan, and Reed. RCA barely promoted it in 1971, and it only charted after Ziggy Stardust proved he was undeniable — now it's considered the record where he truly became himself. You've put on "Changes" and "Life on Mars?" a couple of times but haven't gone deeper yet.