Claude says:Yorke and Nigel Godrich built ANIMA through live looping and studio editing — Yorke sending sprawling tracks, Godrich carving them into tight samples and pulses — with themes of anxiety channeled through dystopian imagery and a Paul Thomas Anderson short film on Netflix. You grabbed it five years after release in early 2024 and played through "Dawn Chorus" and "Last I Heard" a handful of times, but it didn't stick. The reverential loss in "Dawn Chorus" and the fibrillating electronics landed once, then drifted away.