Claude says:The Twilight Sad pivoted hard on this one, ditching their guitar wash for something spare and industrial after getting Andrew Weatherall's ear on analog synths — the result pulls from Siouxsie, Cabaret Voltaire, and the colder end of post-punk. You grabbed it within a year of release in early 2013 and burned through "Alphabet," "Another Bed," and "Dead City" in one concentrated month, then barely touched it again except for a lone play five years later.