Claude says:A nine-year rescue job — first sketched with Stuart Price for Day & Age, then shelved when Flowers couldn't finish the second verse until Alex Cameron helped him crack it in 2017. The track layers new wave polish over a story about domestic violence, with a Bob Marley interpolation tucked into the synth-pop rush. He grabbed it the month it dropped as a promo single, tried it on a handful of times over the years, but it never quite stuck.