Claude says:The Endless hit you in late 2022 and stuck around—five plays across a year of intermittent returns, mostly to "Aaron" and the title track's slow-dissolving atmospherics. This 2018 record finds Dietrich Emond (The Album Leaf) deep in ambient territory, all sparse piano and digital drift, the kind of thing that rewards quiet mornings or late-night unwinding rather than repeat spins, which is exactly how you've treated it.