Claude says:Glasgow's post-rock architects build lengthy instrumental pieces from quiet-to-loud dynamics, melodic bass, and waves of distorted guitar — this 2011 album keeps that formula intact but leans harder into synthesizers and a slightly more aggressive edge. You gave it a spin in December 2016, nearly five years after release, but only circled back to "George Square Thatcher Death Party" and "Letters to the Metro" once before moving on.