Claude says:Lush's 1996 sophomore *Lovelife* landed in that sweet spot where Britpop glamour met dream-pop softness, all synth-shimmer and Miki Berenyi's vocals floating above the guitars—and you've kept coming back to "Ladykillers" across seven years, which says everything about how that track hits different, the one moment where the album's lush production and wry edge click into pure momentum.