Claude says:Lowercase Noises built Marshall as a hushed post-rock reverie—all drift and restraint, barely a drum kick to disturb the mood—and you cycled through it hard over a couple weeks in early 2012, the kind of album that rewards repeat spins because every track dissolves into the next like weather. The fact that you hit nearly every song equally says you weren't hunting singles; you were just letting the whole thing breathe.