Claude says:José González's Swedish trio built spare, hypnotic folk rock around his fingerpicked guitar and Tobias Winterkorn's analog keys — the kind of music that soundtracks montages about quiet transformation. This soundtrack landed for you in mid-2014, right as the film did, and you circled back hardest in 2018 when "Far Away" and "Don't Let It Pass" became go-to tracks for a stretch, their slow-burn melancholy hitting differently years after the movie faded.