Claude says:John Mark McMillan built a following in indie worship circles after his grief-stricken "How He Loves" became a modern standard, though he kept making albums less interested in congregational singalongs than in raw, guitar-driven reflection. Borderland arrived in 2014 with that same restless energy — part rock record, part devotional — leaning into atmospheric builds and lyrical ambiguity. You grabbed it right when it came out and spent a month with it, playing "Love At The End" and "Holy Ghost" on repeat, then let it drift away until a brief revisit three years later.