Claude says:You caught *The Greatest Showman* at its peak cultural moment in early 2018, when that circus-tent energy and Benj Pasek's soaring melodies felt inescapable—"Come Alive" and "The Other Side" clearly grabbed you hardest, the ones built for repeat. It's a soundtrack that knows exactly what it's doing: big, theatrical, unapologetically earnest in a way that either lands or doesn't, and for a stretch you were all in.