Claude says:Cameron Mizell's Tributary arrived in your world during a two-week stretch in May 2012 and landed somewhere between cosmic country sprawl and bayou-fried funk—the kind of record that sounds like it was recorded in a swamp at midnight with the amp turned all the way up. You kept cycling through it, letting "Ghost Town" and "Mississippi Mud Clerk" rewire your sense of what Americana could do when it stopped playing it safe.