Claude says:The Beasties' fourth album hit number one in 1994 on the strength of MCA's fuzzed bass and that Spike Jonze cop-show parody, but it's also their most sprawling — punk, jazz, funk, live instruments instead of samples, inspired by Miles Davis's electric period. You didn't pick it up until late 2012, eighteen years after release, and you've been checking back in ever since, riding that "Sabotage" riff through every couple of years like clockwork.